For me, art is a way to review and express myself.
I specialises in the technique of scanography, resulting in work that is both experimental and spontaneous. My current practice is exploring the nature of Fluids, examining the reactions that occur when different fluids combine, but also the dynamic and vibrant patterns that naturally form.
Artistography is shooting to capture timeless photography. To capture timeless images that can make the transition from a museum to a product billboard into an art gallery or office waiting room while still retaining their artistic integrity.
A major part of my work derives from the title “Shadow Catchers” of an exhibition of cameraless photography in 2010. Since then my focus of research has been on the identity and movement of shadows, in particular shadows that invite our efforts to catch them.
Between 2011 and 2012 the photographer Alessandro Niccolai visited some of the places struck by the earthquake and the tsunami happened in the Fukushima prefecture (Naraha-machi, Namie-machi, Tamura-machi…etc…). He took images that are personal and very intimate.
I would describe my own work as an intensive mixture or various elements such as psychology, geography, environment, inter-cultural aspects etc. which, I believe, make it quite diverse yet still ascribe it my own unique perspectives based on different backgrounds and experiences I have gone through until today…
Mondo Corretto (abbreviated and stylized as MoCo) presents Kieran Pavel’s photographing and filming work. Since 2011, he publishes a new photography each day and builds up a conceptual and narrative work, sometimes developed in series, or through multimedia projects.
Timo Rehpenning is a autodidact photographer and engaged in photography since 2011. Due his lack of time during daytime, resulting from his Job and Family he got interested to Nightphotography in 2013, he soon stumbled over Lightart performance Photography and got quickly addicted to this kind of Art.
I love photography because it is a mechanical and artistic combination unlike anything else. I can use my technical skills to actually shoot images, while using my creative skills to frame and compose the shots. My photography focuses on memory and time.
Dimitra Ermeidou’s studio practice explores the influences of ideology on visual culture by connecting issues of history, philosophy and political theory to art and architecture.